MORE WOLFBANE, VAN HELSING?
What’s in a title? Had a certain Gothic horror novel been published under its original title, The Un-dead, would it have achieved legendary status, becoming the iconic depiction of the most infamous character in supernatural fiction? Or would it have remained just a good adventure story, like many others popular throughout the 1880s and 1890s, invasion literature, in which fantastic creatures threaten the British Empire?
Bram Stoker’s novel, retitled just before its May 18, 1896, release as Dracula, tells the story of the Count’s attempt to relocate from Transylvania to England, and his subsequent battle with a group of men and women led by Professor Abraham Van Helsing. Although it was not an immediate bestseller, reviewers were liberal in their praise, placing Stoker in the company of Mary Shelley and Edgar Allan Poe. And it certainly made more of a splash than his previous work, The Duties of Clerks of Petty Sessions in Ireland. Stoker’s and Dracula‘s status have grown steadily in the last
hundred and some years, inspiring countless books, plays and movies – reaching a standing that even the Twilight series has been unable to kill. Over 200 films have featured Dracula in a major role, a number second only to Sherlock Holmes. Arguably the classic portrayal remains the one by Bela Lugosi in 1931.
What manner of man is this, or what manner of creature is it in the semblance of man?
When the Count saw my face, his eyes blazed with a sort of demonaic fury, and he suddenly made a grab at my throat.
My revenge has just begun! I spread it over centuries and time is on my side.
For one who has not lived even a single lifetime, you’re a wise man, Van Helsing (from the movie).
Listen to them. Children of the night. What music they make.