Born in 1887, Sigmund Romberg moved to the United States in 1909 and, after a short resume builder in a pencil factory (as a sharpener?), found work as a pianist. An instrument here, an instrument there, and pretty soon he had his own orchestra. He published a few songs that caught the attention of the Shubert brothers, who in 1914 hired him to write music for their Broadway shows. Next day on his dressing room, they hung a star.
The Student Prince was the most successful of Romberg’s works, the longest-running Broadway show of the 1920s at 608 performances, even longer than the classic Show Boat. The “Drinking Song,” with its rousing chorus, was especially popular in 1924, with Prohibition is full swing:
Drink! Drink! Let the toast start! May young hearts never part! Drink! Drink! Drink! Let every true lover salute his sweetheart! Let's drink! The Mario Lanza version from the 1954 movie remains popular with imbibers everywhere.
The Desert Song (with lyrics by Oscar Hammerstein) is your typical superhero-adopts-mild-mannered disguise-to-keep-his true-identity-secret saga much like Zorro and Superman but with better music and no phone booths. The Red Shadow loves a beautiful and spirited girl, who loves his hero persona but not his wimpy side. Will true love win out over hero worship? After much sophisticated music, lust in the dust and naughty humor, we learn the answer, especially in a lavish 1929 film production of the operetta – but only until the 1940s when it became illegal to view or exhibit the 1929 film in the United States because the folks in charge feared the naughty bits would morally harm us.
A second feature version was made in 1943, which had our hero fighting the Nazis, and a third version with Kathryn Grayson and Gordon MacRae in 1953 was about as squeaky clean as you can get. Thank god for censors.
I drink to make other people more interesting. ― Ernest Hemingway