Call it destiny. Two men stranded in Kansas City when a storm closed the airport met in a hotel lobby, engaged in conversation, and – go figure – discovered they each had profound worries about the future of the barbershop quartet. This was not just empty lamenting on the part of Owen C. Cash and Rupert I. Hall; these founding fathers acted, and the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America was born. They wrote a letter that became a mission statement:
“In this age of dictators and government control of everything, about the only privilege guaranteed by the Bill of Rights not in some way supervised or directed is the art of barbershop quartet singing. Without a doubt, we still have the right of peaceable assembly which, we are advised by competent legal authority, includes quartet singing.
“The writers have, for a long time, thought that something should be done to encourage the enjoyment of this last remaining vestige of human liberty. Therefore, we have decided to hold a songfest on the roof garden of the Tulsa Club on Monday, April 11, 1938, at 6:30 pm.”
Twenty-six men attended that first rooftop meeting. Attendance at subsequent meetings multiplied rapidly, and at the third meeting, 150 harmonizers stopped traffic on the street below. A reporter for the Tulsa Daily World put the story on the national news wires and the rest is history.
Today the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA, as it’s more familiarly known) has 25,000 members,. That acronym SPEBSQSA was the founders’ way of demonstrating that one could be a barbershop quartet enthusiast and still have a sense of humor; it was a parody of the New Deal’s “alphabet soup” of acronyms, and the society has said “attempts to pronounce it are discouraged.”