It may be every kid’s dream to run away and join the circus. Not many do, but Jack Carlton Moore, born September 14, 1914 did at the tender age of eight. It may also be every kid’s dream to grow up to be the Lone Ranger. Jack did that too. With his new name, Clayton Moore, he donned a black mask, picked up a Native American buddy and rode into television history.
Following his stint in the circus, Moore worked as a model, a stunt man and a bit player in western movies. In 1949, his work in the serial Ghost of Zorro brought him to the attention of the producer of the Lone Ranger radio program. He was signed to play the ranger in the television series, along with Jay Silverheels as Tonto. The series was the first Western written specifically for television. It aired for eight seasons — 221 episodes.
After the series ended, Moore refused to give up his mask, wearing it in public appearances. This rather dismayed the owner of the rights to the character who in 1979 secured a legal ruling preventing Moore from wearing his mask in public. In response, the daring and resourceful masked rider of the plains began wearing oversized sunglasses. The ruling was eventually reversed.
Walk a Mile in His Moccasins
Natty Bumppo was another larger-than-life frontiersman. He was featured in a collection of books know as the Leatherstocking Series, written by James. Fenimore Cooper, born September 14, 1851. Cooper was one of Mark twain’s favorite authors:
“Cooper’s gift in the way of invention was not a rich endowment; but such as it was he liked to work it, he was pleased with the effects, and indeed he did some quite sweet things with it. In his little box of stage-properties he kept six or eight cunning devices, tricks, artifices for his savages and woodsmen to deceive and circumvent each other with, and he was never so happy as when he was working these innocent things and seeing them go. A favorite one was to make a moccasined person tread in the tracks of a moccasined enemy, and thus hide his own trail. Cooper wore out barrels and barrels of moccasins in working that trick. Another stage-property that he pulled out of his box pretty frequently was the broken twig. He prized his broken twig above all the rest of his effects, and worked it the hardest. It is a restful chapter in any book of his when somebody doesn’t step on a dry twig and alarm all the reds and whites for two hundred yards around. Every time a Cooper person is in peril, and absolute silence is worth four dollars a minute, he is sure to step on a dry twig. There may be a hundred other handier things to step on, but that wouldn’t satisfy Cooper. Cooper requires him to turn out and find a dry twig; and if he can’t do it, go and borrow one. In fact, the Leatherstocking Series ought to have been called the Broken Twig Series.”
Inspirational Quote for 9/14/16